Kamis, 22 Mei 2014

[V739.Ebook] Download Ebook Quicklet on Ernest Hemingway's Islands in the Stream (CliffNotes-like Summary, Analysis, and Review), by Ben Mitchell Lewis

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ABOUT THE BOOK

Published in 1970, Islands in the Stream is the first of Ernest Hemingways posthumous novels. The novel was lightly edited by his widow, Mary Hemingway, and his publisher, Charles Scribner, Jr. Mary carefully points out in a note that opens the book, Beyond the routine chores of correcting spelling and punctuation, we made some cuts in the manuscript, feeling that Ernest would have surely made them himself.

Hemingway began work on this massive project in 1945. The pages he wrote from then until his death in 1961 became several different novels, some posthumous, some published before his death. All are loosely connected in that they were worked on concurrently, and at times, part of the same work.

Pieces were cut here and there to provide material for other books, and when finished, he produced enough text for four novels: Old Man, Islands, Across the River and into the Trees, and The Garden of Eden.

MEET THE AUTHOR

Ben Mitchell-Lewis is a resident of New Hampshire, but tries to spend as much time as possible traveling around New England, the country, and the world. He is a graduate of Colby College and is slowly cracking into the freelance writing game. Ben likes to get outside in any capacity (but especially to rock climb or ski), and travel/adventure writing is his favorite genre, though classic American novels are hard to beat.

EXCERPT FROM THE BOOK

The novels protagonist is Thomas Hudson, a world famous painter. As the book opens with Part I: Bimini, the reader is introduced to Hudson and his house set on a hill in Bimini, an island in the Bahamas. The house is as much a character as Hudson, and the whole of Part I revolves around the house, with brief interludes at bars, docks, and aboard a cabin cruiser equipped for lengthy days of fishing and exploring.

After an initial introduction to Hudson, the reader is familiarized with his habits, his daily life, his routines, and his staff, especially Eddy a constant companion, a good fisherman, and very attentive to Hudsons needsl. Hudson has several others always at hand to cook, clean, and mix drinks, the same people that accompany him fishing and help take care of his children. For Bimini is really about Hudsons relationship with his children the three boys, Tom, David, and Andrew, arrive in Bimini for a vacation with their father shortly after the books opening.

Before they arrive, Roger Davis is brought in. He is an old, dear friend of Hudsons, a fellow expatriate, and plays a pivotal role in the rest of Part I. While Hudson and Davis drink and carouse in the days before the boys visit, Roger gets into a heated fight with a wealthy man from New York on the docks. The events of that evening are quite trying for Davis and Hudson, and they retreat to the hilltop house to sleep it off and wait for the boys.

Buy a copy to keep reading!

CHAPTER OUTLINE

Ernest Hemingway's Islands in the Stream
+ About the Book
+ About the Author
+ Summary
+ Chapter-by-Chapter Commentary
+ ...and much more

  • Sales Rank: #1013607 in eBooks
  • Published on: 2012-03-04
  • Released on: 2012-03-04
  • Format: Kindle eBook

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0 of 0 people found the following review helpful.
Basically a summary
By Jeffery S. Herman
Perhaps I was expecting something this book wasn't intended to be. I was hoping for background information and the inspiration for the stories and the characters. However, it's basically a chapter-by-chapter summary. If you were wanting to find stories quickly in the main book, this would be helpful. I don't see it as helpful otherwise.

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Senin, 19 Mei 2014

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Bei diesem Werk handelt es sich um eine urheberrechtsfreie Ausgabe.
Der Kauf dieser Kindle-Edition beinhaltet die kostenlose, drahtlose Lieferung auf Ihren Kindle oder Ihre Kindle-Apps.

  • Published on: 2011-04-28
  • Released on: 2011-04-28
  • Format: Kindle eBook

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Minggu, 18 Mei 2014

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ATENÇÃO: Na compra deste eBook de 230 páginas você pode solicitar grátis o Livro de Testes, em PDF, com 200 Questões Comentadas. Entre em contato com o autor para maiores informações:
fabiobragadealencar@gmail.com

AS 1.000 REGRAS DA PRONÚNCIA DO INGLÊS ENSINADAS EM TODO O BRASIL

Numa aula de inglês instrumental, em Recife, o aluno Alberto notou que seu professor, João, chamou PREMIUM, de pré-miam e não o correto prí-miam conforme o som i de pizza de E no Sistema AEIOU + CONS 1 + E/I + VOG, como em HELIUM, SERIES, DIPHTERIA e CHAMELEON. Ana, de Campinas, corrigiu a colega de turma, quando ela chamou PEAR ( pera ) de pir. Desconhecia as exceções do Grupo EA. PEAR soa per, com o R do interior de SP. Carlos, de Florianópolis, tirou 9 na prova oral. Não tirou 10 porque esquecera a regra que diz que na combinação I + CONS 1 + EN, a vogal I soa i de idem, como em THRIVEN e DRIVEN. Logo, RISEN deveria ser dita rízen e não raizen. Jonas, de Maceió, batendo papo com um mórmom americano, fez uma pegadinha com o missionário James perguntando a ele como se deve falar a palavra TRACHEAE ( traqueias ). Mesmo alheio às Regras Fonológicas Inglesas, porque elas foram sistematizadas no Brasil, James pronunciou trei-ki-ai e ainda disse que trei-ki-i também é correto. O mórmom acertou o som desse vocábulo por ser muito falado em público. Mas errou a pronúncia da palavra greco-latina INDICT ( indiciar ), chamando-a de in-dikt, quando o certo é chamá-la de in-dait, por ser uma exceção do Sistema A E I O U + CONS 2 ( não R ), em que I soa i de idade, como em TRICK, LIST e INDUSTRY. Tomás, de Cuiabá, falando em inglês com um colega de classe, viu que Pedro chamou SWAMP ( pântano ) de suémp. Claro que Pedro não sabia que o Grupo WA soa uó, como em SWAMP e WATCH, além de WAS e SWAT. A vogal A de SWAMP está no Sistema A E I O U + CONS 2 ( não R ) e deveria soar ae ( entre a e e ) em SWAMP, como em MATCH, FAST e AND, mas o som do Grupo Fonológico WA não permite. Em uma conferência internacional, o palestrante, ao ler o texto , defendendo sua tese, cometeu uma gafe ao falar CONTIGUITY ( contiguidade ) kan-tí-guiti. Como o doutor não tinha o livro com as Regras de Pronúncia, não via o Grupo Final UITY de som íu-i-ti e ú-i-ti, com a sílaba tônica incidindo em U a exemplo de EXIGUITY, CONTINUITY e ANNUITY. Nessa auditório, outro orador brasileiro errou o som de ENVIRONMENTAL ( ambiental ) pondo a sílaba tônica em VI de som vai. O certo seria VI com som vai átono e E tônico do Grupo ENTAL, como em PLACENTAL, ELEMENTAL e CONTINENTAL. Grupo ENTAL contraria o Sistema de proparoxítonos, com a terminação VOG 1 + CONS 1 em vocábulos acima de 2 sílabas, como em ANIMAL, DIALYSIS e PYRAMID. O prof. Fernando abriu um curso de Pronúncia do Inglês, em Natal, um sucesso. Chegou a matricular mais de 100 alunos. Dividiu-os em turmas conforme a formação de cada um. Numa classe de graduados, aplicando uma prova valendo 100 pontos, Fernando verificou que as notas foram altas demais pelo fato de que a prova era para alunos de grau médio. Nesse Teste, todos acertaram FLOOR ( flor ) e FLOOD ( flâd ) , exceções de OO, que, por regra, soa u, como em BOOK, MOON e SOOTHE. Acertaram também o som de BROAD ( bród ) e SEW ( sou ), exceções dos Grupos OA e EW, que, por regra, OA soa ou, como em ROAD, GOAT e FOAM e EW, por regra soa iu como em FEW, NEW e SEWAGE. Numa prova oral de um curso de Letras no Rio, um texto com 2 mil palavras não repetidas foi projetado numa tela. Ao final, apenas 1 dos 30 alunos do último período pronunciou todas as palavras corretamente. Justo aquele que decorou o livro com todas as 1.000 Regras da Fonologia Inglesa. Foi aplaudido de pé quando pronunciou EXTEMPORANEITY ( extemporaneidade ) iks-tem-po-re-ní-i-ti e ainda explicou que a sílaba tônica incidia em E do Grupo Final EITY de SPONTANEITY, DEITY e HOMOGENEITY.

  • Published on: 2015-10-10
  • Released on: 2015-10-10
  • Format: Kindle eBook

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Three Stars
By cláudio massanari hoshi
muito bom.legal

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Rabu, 14 Mei 2014

[F514.Ebook] Fee Download Pharaoh: A Novel of Ancient Egypt, by Wilbur Smith

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Pharaoh: A Novel of Ancient Egypt, by Wilbur Smith

An epic historical adventure set in Ancient Egypt from the New York Times bestselling legend Stephen King has called the "best historical novelist."

One of the world’s bestselling authors, Wilbur Smith returns to Ancient Egypt in a breathtaking epic that conjures the magic, mystery, romance, and bloody intrigue of a fascinating lost world. Taita, the Pharaoh’s advisor and hero of Desert God and River God, once again finds himself caught up in a whirlpool of ruthless intrigue that threatens the very foundations of the beloved empire he has pledged his life to protect. Plunged into dangerous and deadly waters more treacherous than the Nile, he must use his intelligence, alchemy, and cunning to protect his Pharaoh and keep safe all he loves.

Filled with danger, passion, and a thrilling battle for power, Pharaoh will leave fans of George R. R. Martin, Bernard Cornwell, and Dan Brown rejoicing.

  • Sales Rank: #125519 in Books
  • Published on: 2016-10-18
  • Released on: 2016-10-18
  • Format: Large Print
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.22" w x 6.00" l, .65 pounds
  • Binding: Paperback
  • 608 pages

From the Back Cover

The worldwide number one bestseller Wilbur Smith returns to Ancient Egypt in a captivating new novel that will transport you to extraordinary times.

EGYPT IS UNDER ATTACK

Pharaoh Tamose lies mortally wounded. The ancient city of Luxor is surrounded. All seems lost.

Taita prepares for the enemy’s final, fatal push. The ex-slave, now general of Tamose’s armies, is never more ingenious than when all hope is dashed. And this is Egypt’s most desperate hour.

With the timely arrival of an old ally, the tide is turned and the Egyptian army feasts upon its retreating foe. But upon his victorious return to Luxor, Taita is seized and branded a traitor. Tamose is dead and a poisonous new era has begun. The new Pharaoh has risen.

From the glittering temples of Luxor to the citadel of -Sparta, Pharaoh is an intense and powerful novel magnificently transporting you to a time of threat, blood, and glory. Master storyteller Wilbur Smith is at the very peak of his powers.

About the Author

Described by Stephen King as “the best historical novelist,” WILBUR SMITH made his debut in 1964 with When the Lion Feeds and has since sold more than 125 million copies of his books worldwide and been translated into twenty-six different languages. Born in Central Africa in 1933, he now lives in London.

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48 of 50 people found the following review helpful.
"River God" and "The 7th Scroll" are two of my all time favorite books. I used to really look forward to ...
By Shotgun6
I have been a huge fan of Wilbur Smith since reading "The Sunbird" nearly 40 years ago. "River God" and "The 7th Scroll" are two of my all time favorite books. I used to really look forward to anything new from this author; but this book, coupled with his last effort ("Desert God"), are just terrible. The plot is ridiculous, details are ridiculous, dialogue (such as it is; most of the book is narration) is ridiculous; continuity with his earlier books is non-existent (there are too many conflicts between previous stories to mention; not the least of which, Pharaoh Tamose was killed by the Hyksos, in Smith's 3rd Egypt book, and eventually succeeded by his son Nefer Seti; now, in Pharaoh, he's killed again, under different circumstances, and succeeded by a totally different set of sons. My guess, which many other reviewers have already mentioned, is that Mr. Smith isn't writing anymore; he just drafts rough story outlines, and gets some hack (probably paid by the word) to flesh them out. Very disappointing, and it does a dis-service to his legacy; anyone reading these as their first introduction to Wilbur Smith would be justified in never picking up another book by him again. They would never know how great his story-telling used to be. Just Sad. Again, River God and 7th Scroll are fantastic reads; Warlock is silly, but fun; The Quest is a weird, disappointing, disjointed collection of metaphysical glop, but at least it reads like a story; Desert God & Pharaoh are pure garbage. I want my $22 back.

17 of 17 people found the following review helpful.
My mind was BLOWN away at how Terrible this was
By Julietnn
My mind was BLOWN away at how Terrible this was. I give Kudo's to anyone that actually managed to finish the whole book. I have been reading WS for 35 years, over and over again. Not sure who wrote this mod podge of random words , but it was so terrible.

41 of 44 people found the following review helpful.
Was this really Wilbur Smith?
By Maximillian
I have been a fan of Smith for all of my life. He was a master of the story-teller's art with twisting and turning plots. Books that one had difficulty in putting down.
This us such a puerile story that question ,how much of a hand, if any, Mr Smith had in its development.

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Selasa, 13 Mei 2014

[T497.Ebook] Ebook Download Curves and Surfaces for CAGD: A Practical Guide (The Morgan Kaufmann Series in Computer Graphics)

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Curves and Surfaces for CAGD: A Practical Guide (The Morgan Kaufmann Series in Computer Graphics)

  • Published on: 1600
  • Binding: Hardcover

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[R812.Ebook] Get Free Ebook Sinful Cinderella (Dark Fairy Tale Queen Series Book 1), by Anita Valle

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And you thought the stepsisters were wicked....

I'm not who they think I am. A docile girl who meekly obeys her stepmother and stepsisters. Some kind of sick angel who cheerfully bears their mistreatment. That's what I WANT them to think. Because then they won't suspect what I'm really up to.

The ball, the prince - it's all part of my plan to come out on top. Stepmother and her demented daughters will pay for every floor I have scoured, every sneer I have borne. They don't know about the white magic, how I use it to enhance myself. They can't see that my heart is black as midnight, rotten as a poisoned apple.

They're about to find out.

Book Details
  • Length: Approx. 150 pages
  • Genre: Dark Fantasy
  • Mood: Dark / Humorous
  • Content: Moderate violence. A few mild sexual references. No sex scenes or erotica.
  • Audience: Teens and Adults
Author's Note:For anyone who enjoys a dark fairy tale retelling. This Cinderella book has all the elements of the original story: beauty, magic, glass slippers, and a handsome prince. But like any "Grimm" fairy tale it gets twisted into dark places. Sinful Cinderella is the first book in the Dark Fairy Tale Queen Series. Recommended for readers of Marissa Meyer, Cameron Jace, Jenni James, Aya Ling, and Chanda Hahn.

Other books by Anita Valle
  • SNEAKY SNOW WHITE: Dark Fairy Tale Queen Series - Book 2
  • MAELYN: The Nine Princesses Book 1 (FREE TO DOWNLOAD)
  • CORALINA: The Nine Princesses Book 2
  • HEIDEL: The Nine Princesses Book 3
  • BRIETTE: The Nine Princesses Book 4 (Coming Soon!)
  • MONSTER MANOR (A novel for kids)

A free fantasy book for lovers of Cinderella retellings and fractured fairy tales. Scroll up and download!.

  • Published on: 2015-09-30
  • Released on: 2015-09-30
  • Format: Kindle eBook

Review
"This book will keep the readers glued till the end to find out the inevitable as well as shocking climax of this story." -Amazon Reviewer
"Ms. Valle has written a delicious alternative to the sanitized Disney version of Cinderella. This girl knows how to make her world work for her." -Amazon Reviewer
"Countless authors have written darker versions of the Cinderella story, but this one stands out for the sense of inevitable tragedy that comes from jealousy and the lack of love." -Amazon Reviewer
"The twists and turns in this book are fantastic and unexpected! So different. I loved reading this and had a hard time putting it down." -Amazon Reviewer
"This is not your typical Cinderella fractured fairytale. This well-written and magical story had many twists that I never expected." -Singing Librarian Books

From the Author
I've sometimes wondered about Cinderella. How could she stay so sweet and cheerful when she gets nothing but abuse from her family? I think even the most good-natured person would become bitter and vindictive after a while. In this story, I wanted to show a more wounded side of Cinderella, the side that is hurting from being unloved. Love brings out the best in people, but hate brings out the worst.
So... about me: I live near Poughkeepsie, New York with my husband, three boys, and no pets. I have a hard time getting my boys to stop playing video games and read more books. My house is often a mess because I'm either out at my day job, or helping my kids with homework, or trying to squeeze in some writing and drawing. Yet I get frustrated when my house isn't clean. Other than strangers on the internet, I almost never tell anyone I know that I write books, because I have a weird insecurity that they won't take me seriously. But I never feel happier than when I'm working on my projects.
If you have a few spare minutes, would you do me a favor and write a review? That really helps to give the book credibility. Also, please consider checking out my other books. Most of the time, I'm working on The Nine Princesses, a fun series about a family of teenage princesses. The first book "Maelyn" can be downloaded for free.
Thanks so much for supporting an indie author. God bless you.-Anita Valle

About the Author
Anita Valle lives near Poughkeepsie, New York with her husband and 3 rambunctious boys. She works from home as an author and artist and designed the cover of Sinful Cinderella. For more information on Anita's books, visit her Amazon Author Page (just click on the author's name below the book title.) Thanks!

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82 of 86 people found the following review helpful.
An Interesting Dark Story, but not Conclusive
By Bel
I'm a bit conflicted about this story. On one hand, I love the changed perspective-- a Cinderella that isn't perfect and all good. But there's a reason that this story is usually so positive-- fairy tales need a moral at the end. The problem with this story, for me, was I didn't feel like there was a conclusion or a moral. Cinderella started off as not that bad. Perhaps a little bratty and bitter, but redemption was in view. Then... she got worse. Not really a fan of that plot. Fairy tales usually have a positive ending, because events happen that cause character development. For this "dark" story, it wasn't a moment that brought her into darkness and she pulled against it bravely. It was just a sort of "meh-- I'm pretty much a bad person". Cinderella had no real redemption or transition to evil. It's not a book that you finish and fell complete, or feel sympathy for poor misunderstood Cinderella. The conclusion is just that she's pretty much a bad egg, not particularly passionately evil, just casually meh. When you look at this book, it's probably best to consider the difference between a dark fairy tale (where there is a beginning, middle, and end of the character's darkness and you are left with a moral and a feeling of compassion), and a story with a dark fairy tale character (where the character is basically bad through and through).

SUMMARY: When Cinderella's dear father died, she was stuck with her stepmother and two stepsisters. Visited by her fairy godmother, she found that doing good deeds and behaving kindly earned her some white magic-- magic that gave her power to change her appearance, change animals to other animals, object to other objects. But Cinderella's heart festered with bitterness. She does good, but only with the end goal of evil. Her prize, the prince, may not be the easy and happy ending she searched for. The prince has his own darkness. And true darkness is not pleasant.

the not so best parts: I guess my main problem was Cinderella started out a bit vindictive and bitter. But in all honesty, she wasn't that bad. She even had moments of genuine kindness. I would have preferred to see development of her compassion, than see her slowly dissolve into bad habits. This truly is a negative story. There are a few pinnacle moments of badness, but they don't have the proper motivation to inspire compassion in the reader, or to make you think that there is possible compassion in the character. The result makes you think the character is shallow and very one dimensional.

the best parts: the magic is interesting, the step characters are realistic. The line between malicious but not ridiculous was perfectly toed with all step characters. The prince was a fresh surprise, well written, and it was interesting for Cinderella to basically see herself reflected in this faux-amazing man. A refreshing change of pace, and an interesting read.

All in all, the writing was good. The story was fleshed out, the characters sharp. A good novella. I just didn't like that this story didn't have a resolution or even real development of character. A novella shows, in my mind, important snipers of a story to bring a full picture. This felt like the beginning (of the end). The dark edginess might just not be my thing. For certain, I'm not eager to reread for a character that I just think will never change-- especially because she had so many opportunities for goodness-- and isn't particularly emotion provoking. If you're looking for something new and with a dark feel, this might be it for you. If you're looking for a dark fairy tale, or different fairy tale with a solid conclusion and moral-- this just doesn't have that structure. I liked reading this, and found it interesting food for thought-- but I didn't feel like I really wanted to see more of Cinderella. This just doesn't have THAT MOMENT-- the one where you cry for that transition to evil, or you cry cause you see the inner pain. This just felt like you wanted to shake Cinderella.

If you want to see a different Cinderella, this is your novella. If you want a full tale revolving around a dark Cinderella, where you see a clear ending and you feel sudden understanding and compassion towards an evil Cinderella, this isn't for you.

11 of 11 people found the following review helpful.
...

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Jumat, 09 Mei 2014

[W561.Ebook] Download Ebook The Rational and Social Foundations of Music, by Max Weber

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The Rational and Social Foundations of Music, by Max Weber

Octavo. Decorated Cloth. Weber (1864-1920) was a sociologist whose intellectual interests found voice in a series of noteworthy studies covering an extremely wide range of modern social science from economics, politics, and administration to the sociology of religion, law, authority, leadership, and knowledge. Not least among his fields of inquiry was that of music; the present volume, translated from the German, is important to sociologists and musicians. It was Weber's belief that social actions are stabilized through four types of action (rational, evaluative, emotional, and traditional) with the properties of the action being determined by the relation of means to ends. Music, as well as other fields of human action, is subject to these forces. Weber, in a tightly knit study, analyzes musical culture in terms of the rational and non-rational patterns it assumes. It is his thesis that the distinguishing feature which led to the development of Western music as contrasted with that of other cultures lies in its unusual development in this regional area of rational structural patterns. The properties of this musical rationality are examined, and the social and technical forces which played a role in its historical growth come under a closely reasoned scrutiny. The translators have provided a fifty-two page introduction summarizing his argument, together with copious references and editorial notes. 148 p. Originally published by Southern Illinois University Press, 1958

  • Sales Rank: #4198695 in Books
  • Published on: 2010
  • Binding: Hardcover

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1 of 1 people found the following review helpful.
Lifers were taking over the low notes of social culture long before Max Weber
By epic phlegm Hooha
The best part of this book for me was about the wrath of metaphysical powers. Music in antiquity was based on instruments that had different tunings. Greeks and Romans were aware of tone intervals based upon the different length of strings that could be analyzed with the ratios of prime numbers like 2:3. The same tone an octave higher might not form the same ratio with a fourth or fifth as inverted chords would get overtones that were as bad as an augmented sixth.

Musicians who became familiar with happens to people who are drunk were not supposed to slip into the kind of harmonies that would violate strict pure tones of worship. Max Weber related the power of music to the social rituals of magic ceremonies that were supposed to influence gods or demons. Bad things could happen:

Since any deviation from a magical formula
once proved to be effective
destroys its potency,
in fact, such deviation can attract the wrath
of metaphysical powers.

The wrong rendition of a tone formula
was an offense which could only be
atoned by the instantaneous murder
of the offender.

Once canonized for any reason,
stereotyped tone intervals were
of extraordinary influence. (p. 40).

American society sometimes thinks it is free of the discords that can hardly be official after diatonicism began to monopolize thinking.

In the lifetime of Max Weber, it was still possible to notice strings producing a different kind of music than military music, which was "the old natural home of wind instruments." In Europe, people in the north were more comfortable in their homes for so much of the year that a piano became "a significant piece of middle-class furniture." So much of art has fallen from a high horse since our ox no longer fits in a buggy or gurney that mass production has made music far beyond the metaphysical powers that would restrain the parvenu everybody upstarts from recording whatever combinations of songs has their own sympathy for the devil that will help them blast the lifers.

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Selasa, 06 Mei 2014

[R775.Ebook] PDF Ebook Deaf Liberation Theology (Explorations in Practical, Pastoral and Empirical Theology), by Hannah, Revd Dr Lewis

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Deaf Liberation Theology (Explorations in Practical, Pastoral and Empirical Theology), by Hannah, Revd Dr Lewis

Following years of theology of deafness based on the premise that Deaf people are simply people who cannot hear, this book breaks new ground. Presenting a new approach to Deaf people, theology and the Church, this book enables Deaf people who see themselves as members of a minority group to formulate their own theology rooted in their own history and culture.

Deconstructing the theology and practice of the Church, Hannah Lewis shows how the Church unconsciously oppresses Deaf people through its view of them as people who cannot hear. Lewis reclaims Deaf perspectives on Church history, examines how an essentially visual Deaf culture can relate to the written text of the Bible and asks 'Can Jesus sign?' This book pulls together all these strands to consider how worship can be truly liberating, truly a place for Deaf people to celebrate who they are before God.

  • Sales Rank: #2863376 in eBooks
  • Published on: 2013-05-28
  • Released on: 2013-05-28
  • Format: Kindle eBook

Review
'... an inductive piece, written from within by a member of the deaf community rather than by someone looking from without and is all the stronger for being so. Lewis breaks new theological ground and, while her work is primarily focused in an Anglican setting, the issues she addresses and the solutions and strategies which she suggests have value far beyond the Anglican context. She highlights the gap that often exists between talk of empowerment and the action that is required to actually bring about the desired change, although any specific structural changes which may be needed to bridge that gap are implicit, rather than explicit in the text. In Lewis's view, the challenge 'is not how d/Deaf people can have access to the hearing Church, but how the Church can become an organization that contributes to the liberation of all d/Deaf people.' She has set out a strong theological foundation on which to build and has sign-posted us towards what such a Church could look like.' --Practical Theology

About the Author
Hannah Lewis completed her first degree in Natural Sciences and Theology at Corpus Christi College, Cambridge in 1993 and her PhD at Birmingham University in 2003. She was ordained a priest in the Church of England in 1998 and currently works as Team Leader for work among Deaf people in Liverpool diocese. She has been Deaf since childhood, is fluent in BSL and has been involved in the Deaf Church in a variety of capacities since 1997. She serves as committee member responsible for lay training on the National Deaf Church Council and is a founder member of DECUK, Deaf Ecumenical Clergy UK, which provides CME for Deaf clergy in the UK.

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